Chinese Aged Citrus Peel Tea Collection is crafted for tea lovers who want a warm, comforting cup during the cold season — without any fuss.

In traditional Chinese tea culture, special varieties of Aged Mandarin Peel are paired with mild, winter-friendly teas such as Pu-erh, Liu Bao, and aged white tea. These blends are celebrated for being gentle, stomach-warming, easy to digest, and soothing, making them the go-to digestive tea for southern China during winter.

One thing these teas have in common: they are delicious however you brew them — whether in a thermos, a mug, or simmered on low heat, the flavor is never bitter or harsh. Perfect for sipping anytime, the way you like.

A graceful jasmine tea made with spring-picked Sichuan small-leaf tea (one bud with one to two leaves) and fresh jasmine blossoms from Jianwei, Sichuan. Each batch is scented four times, requiring nearly 200 pounds of fresh jasmine flowers for every 100 pounds of finished tea. The liquor is bright and refreshing, with floating white petals that create a striking visual display. Flavor is smooth, brisk, and sweet—fresh green-tea notes balanced by a lingering jasmine aroma.

Origin: Jianwei County, Sichuan Province
Base Tea: Sichuan small-leaf, one bud with 1–2 leaves
Scenting: Four-time scenting with fresh jasmine blossoms
Master: Song Yejing 宋业镜

Shelf Life: 18 months

How to Brew?

Water: Purified, 80 °C | 176 °F
Gaiwan: 2g per 100ml · 10–15 sec · add 5–7 sec each steep · up to 6 infusions
Glass cup: 1g per 100ml · 1st: 40s | 2nd: 60–90s | 3rd: 90–120s
Cold brew: 5g per 500ml · steep 2–3 hrs at room temp · refrigerate up to 10 hrs · or brew hot and pour over ice

We designed this collection because many of our Tea friends wanted to explore Chinese tea but didn’t know where to begin. China’s tea world is far more than just Longjing or Tieguanyin—it spans seven major categories, each with unique flavors, histories, and craftsmanship. For newcomers, buying tea one by one is costly, confusing, and often overwhelming.

So we created the "China's 10 Most Famous Tea Collection"—a curated set that brings together the most representative teas from each category. From Longjing and Tieguanyin to Pu’er, Jasmine, and the rare Junshan Yinzhen, this box offers a complete taste of China’s tea landscape in one experience.

To make learning easier, every set includes a beautifully designed Beginner’s Guide to Chinese Tea, covering tea culture, the six major tea types, why Chinese people use a gaiwan, simple brewing steps, and essential tea etiquette.

And because many beginners don’t have proper teaware, we also created a Gift Edition featuring a premium Chaozhou bone-china gaiwan set—lightweight, quick-cooling, and perfect for first-time users.

This product isn’t just a sampler.
It’s an accessible, thoughtful entry into the world of Chinese tea—a way for us to share its flavor, culture, and beauty with tea lovers everywhere.

Dong Pian (Winter Flake), also known as “Xue Pian,” is a seasonal tea produced in Guangdong. Because winters in this region are mild, tea plants continue to grow slowly from Lidong (Start of Winter) to Xiaoxue (Light Snow)—roughly early to late November. Tea made during this period is called Dong Pian.

At this time of year, temperatures are lower and the day–night temperature difference is larger. The slower growth allows the tea plants to accumulate more internal compounds—especially aromatic substances, amino acids, and natural sugars. These give Dong Pian its intensely fragrant, uplifting aroma and a sweet, refreshing taste with remarkable clarity.

This Duck Shit Aroma Winter Dong Pian is harvested from tea gardens at 500–700 meters on Xiyanshan in Guangdong. Compared with Winter Sprout from Phoenix Town, the higher elevation here produces a tea with stronger, cooler high notes, a clean and sweet flavor, and very low bitterness, like a gentle cold breeze in early winter. The dry leaves carry a unique creamy fragrance.
A seasonal limited-release oolong with impressive value, this tea captures the brisk beauty of early winter in every cup.

Pearl Orchid, also known as Zhenzhulan or Cha Lan, gets its name from the way its tiny golden blossoms cluster along the stem like strands of pearls. In She County of Anhui, the flower was originally grown for ornamental purposes, but over time it became treasured for scenting tea. The region’s warm, humid climate and fertile soil provide ideal conditions for cultivating Pearl Orchid. Large-scale production of Pearl Orchid–scented tea began during the Xianfeng period of the Qing Dynasty, and by around 1890, it had already become one of China’s major scented tea varieties, especially loved in northern China and among scholars and literati.

There is an old Chinese saying about seasonal tea drinking: “In winter drink black tea, in summer drink green tea, and in the second and eighth lunar months, drink Pearl Orchid tea.” These months mark the shift between warmer and cooler seasons, when humidity is higher. Pearl Orchid tea was believed to help dispel dampness and support the body during seasonal transitions.

This tea comes from She County in Anhui, using spring-picked Huangshan Maofeng green tea as the base. The addition of Pearl Orchid blossoms gives the tea a cleaner, brighter character. The liquor is smooth and sweet, without the bitterness sometimes found in green tea.

Its aroma is elegant and serene, with a soft, cooling sweetness—reminiscent of orchids blooming in a quiet valley. Compared with the lively, expressive fragrance of jasmine tea, Pearl Orchid tea is more subtle and deep, yet wonderfully long-lasting.

Origin: Baohuan Village, Huicheng Town, She County, Huangshan City, Anhui Province.
Tea Base / Number of Scenting Rounds: Huangshan Maofeng/Second scenting 
Tea Master: Mr Yu.
Processing Date: June 2025
Shelf Life: 18 months
Brewing Method:

Water: Purified, 80 °C | 176 °F
Gaiwan: 2g per 100ml · 10–15 sec · add 5–7 sec each steep · up to 7 infusions
Glass cup: 1g per 100ml · 1st: 40s | 2nd: 60–90s | 3rd: 90–150s

Gardenia, also known as huang zhizi or mountain gardenia, is an evergreen shrub and one of China’s traditional fragrant flowers. It has long been used in the art of scenting tea.
This Gardenia Black Tea is made by scenting freshly picked gardenia blossoms with spring-harvested Yunnan black tea, using a three-round traditional scenting process.

When June gardenias meet black tea, the flower’s bold, heady fragrance softens into a gentle, elegant aroma. The warmth and richness of the black tea lift the gardenia’s cool, refreshing scent, creating a perfectly balanced harmony.
The first sip brings a clear and delicate gardenia aroma—like walking into a garden in full bloom, instantly awakening the senses. The liquor is smooth and full-bodied, with the gardenia’s natural sweetness melding beautifully with the tea’s mellow depth. A lingering, sweet finish remains long after each sip.

This tea is not only an expression of traditional scenting craftsmanship, but also a soothing gift from nature. In traditional Chinese medicine, gardenia is believed to help clear heat and relieve symptoms such as dry mouth, sore throat, and irritability.
The cooling character of the flower combines with the comforting warmth of black tea, creating a brew that is both rich and refreshing. It’s enjoyable in all seasons, and especially uplifting in summer when you want something cooling, cleansing, and effortlessly calming.

Origin: Fengshan Township, Fengqing County, Yunnan Province

Tea Base / Number of Scenting Rounds:  Yunnan Black Tea (Dianhong)/ Triple scenting

Tea Master: Zhang Guoan张国安

Processing Date: June 2025

Shelf Life: 24 months

Brewing Method:

Vessel: Porcelain gaiwan / glass cup / mug
Water: Purified,  95-100°C | 203-212°F
Gaiwan / Teapot:
5g per 100ml · 1-3 steeps:10-15 sec , add 5-7 sec after · Up to 7 infusions
Mug Brew:
1g per 100ml · 1st: 40s | 2nd: 60–90s | 3rd: 90–150s

This fairness cup (gong dao bei) is fully handcrafted in Jingdezhen, China’s famed “porcelain capital.”
Its surface is decorated with traditional Chinese floral motifs, painted using the famille rose (fencai) enamel technique.

A fairness cup is used to control consistency when serving tea.
After pouring from a teapot or gaiwan, the liquor is gathered and mixed in the cup before being served to each guest.
This ensures that everyone enjoys tea with the same strength, flavor, and temperature.
The name “fairness cup” carries the idea of equality and respect—every guest is treated the same.

Material: Porcelain
Capacity: 200 mL
Dimensions: Height 7.7 cm; Max diameter at top: 9 cm

What is Tuanhua?

Tuanhua, also known as “ball-flower patterns,” doesn’t refer to any specific flower.
Instead, it’s a decorative style where flowers, fruits, and geometric elements are arranged within a circular outline, forming a compact “ball-like” motif.
The earliest versions date back to the Shang dynasty, appearing on bronze and white pottery.
By the Yongzheng period of the Qing dynasty, tuanhua became widely used in imperial porcelain—especially in famille-rose ware—and later spread to folk kilns, becoming a beloved decorative style.

Tuanhua designs are known for their lively, free layouts.
Circles of different sizes are arranged in seemingly casual yet harmonious compositions—sometimes single, sometimes overlapping in pairs or groups of three.
Often paired with colors like white, black, and celadon white, they create a light, balanced visual effect.
These motifs are commonly used on porcelain, clothing, and furniture, symbolizing reunion, prosperity, and completeness, carrying blessings of good fortune.

This lid rest is handcrafted in Jingdezhen, China’s renowned “porcelain capital.”
Each piece features traditional Chinese floral motifs painted using the famille rose (fencai) enamel technique.

A lid rest is used to hold the lid of a teapot or gaiwan during brewing, keeping it off the table.
It helps maintain cleanliness, prevents accidental bumps or heat damage to the surface, and reflects the brewer’s care and respect for tea preparation and teaware.

Material: Porcelain
Size: Height 3.3 cm, Diameter 3.3 cm

What is Tuanhua?

Tuanhua, also known as “ball-flower patterns,” doesn’t refer to any specific flower. Instead, it’s a decorative style where flowers, fruits, and geometric elements are arranged within a circular outline, forming a compact “ball-like” motif.
The earliest versions date back to the Shang dynasty, appearing on bronze and white pottery. By the Yongzheng period of the Qing dynasty, tuanhua became widely used in imperial porcelain—especially in famille-rose ware—and later spread to folk kilns, becoming a beloved decorative style.

Tuanhua designs are known for their lively, free layouts. Circles of different sizes are arranged in seemingly casual yet harmonious compositions—sometimes single, sometimes overlapping in pairs or groups of three.
Often paired with colors like white, black, and celadon white, they create a light, balanced visual effect. These motifs are commonly used on porcelain, clothing, and furniture, symbolizing reunion, prosperity, and completeness, carrying blessings of good fortune.

This tea mat features Chinese traditional tuanhua (round floral motifs). The pattern is elegant, with subtle flower-shaped embossing on the surface. The fabric feels soft and comfortable, and the edges are smooth, neat, and durable. Both sides can be used. The material is treated to be water-repellent, so spills do not seep in; a quick wipe leaves no tea stains. It fits easily into any setting and adds a touch of vintage luxury to the space.

Size: 65 cm (L) × 34 cm (W)

What is Tuanhua (团花)?

Tuanhua, also known as “ball-flower patterns,” doesn’t refer to any specific flower. Instead, it’s a decorative style where flowers, fruits, and geometric elements are arranged within a circular outline, forming a compact “ball-like” motif. The earliest versions date back to the Shang dynasty, appearing on bronze and white pottery. By the Yongzheng period of the Qing dynasty, tuanhua became widely used in imperial porcelain—especially in famille-rose ware—and later spread to folk kilns, becoming a beloved decorative style.

Tuanhua designs are known for their lively, free layouts. Circles of different sizes are arranged in seemingly casual yet harmonious compositions—sometimes single, sometimes overlapping in pairs or groups of three. Often paired with colors like white, black, and celadon white, they create a light, balanced visual effect. These motifs are commonly used on porcelain, clothing, and furniture, symbolizing reunion, prosperity, and completeness, carrying blessings of good fortune.

This set includes five cups made in Dehua, China. Each cup is hand-painted with a different motif: landscape, lotus, bamboo, mountain, and persimmon. The brushwork is smooth and expressive, bringing each design to life. All five cups use underglaze painting and feature the classic “douli” (conical hat) shape. They are fired at high temperatures, giving them a dense body and a smooth, delicate glaze that feels warm to the touch. The overall look is elegant and refined.

The cups show the typical characteristics of Ge ware, with a network of natural crackles across the surface. These patterns, known as “golden threads and iron lines,” become more distinct as they are nourished by tea over time.

The glaze is a soft gray-green color. The rim is slightly thickened to enhance the drinking experience.

Cup Size: 6.5 cm diameter, 4.8 cm height
Capacity: approx. 50 mL
Quantity: 5 cups total
All measurements are taken by hand and may have small variations.

This ceramic master cup is made in Dehua, China, using raw mineral clay fired at high temperatures. It features a classic blue-and-white glaze paired with colorful tuanhua (round floral motifs). The overall look is vibrant yet refined, showcasing an elegant traditional Chinese aesthetic. Suitable for personal use or as a thoughtful gift.

Material: Ceramic
Capacity: 70 mL
Size: 8 cm (width), 4.3 cm (height)

What is Tuanhua (团花)?

Tuanhua, also known as “ball-flower patterns,” doesn’t refer to any specific flower. Instead, it’s a decorative style where flowers, fruits, and geometric elements are arranged within a circular outline, forming a compact “ball-like” motif. The earliest versions date back to the Shang dynasty, appearing on bronze and white pottery. By the Yongzheng period of the Qing dynasty, tuanhua became widely used in imperial porcelain—especially in famille-rose ware—and later spread to folk kilns, becoming a beloved decorative style.

Tuanhua designs are known for their lively, free layouts. Circles of different sizes are arranged in seemingly casual yet harmonious compositions—sometimes single, sometimes overlapping in pairs or groups of three. Often paired with colors like white, black, and celadon white, they create a light, balanced visual effect. These motifs are commonly used on porcelain, clothing, and furniture, symbolizing reunion, prosperity, and completeness, carrying blessings of good fortune.

This teapot is crafted in Dehua, China, using natural mineral clay and fired at high temperatures. It features a vintage blue-and-white glaze decorated with various traditional tuanhua (Chinese medallion floral motifs), arranged in a lively and balanced way. The design is applied using an in-glaze decal technique.

Inside the pot is a built-in multi-hole filter ball that helps catch tea leaves and ensures a smooth pour. The teapot feels fine and delicate in hand, with a compact and elegant form, making it suitable both as a gift and for personal use.

Material: Ceramic
Capacity: 140 mL
Size: Length 11.8 cm; Body width 7.2 cm; Height 8.5 cm

What is Tuanhua (团花)?

Tuanhua, also known as “ball-flower patterns,” doesn’t refer to any specific flower. Instead, it’s a decorative style where flowers, fruits, and geometric elements are arranged within a circular outline, forming a compact “ball-like” motif. The earliest versions date back to the Shang dynasty, appearing on bronze and white pottery. By the Yongzheng period of the Qing dynasty, tuanhua became widely used in imperial porcelain—especially in famille-rose ware—and later spread to folk kilns, becoming a beloved decorative style.

Tuanhua designs are known for their lively, free layouts. Circles of different sizes are arranged in seemingly casual yet harmonious compositions—sometimes single, sometimes overlapping in pairs or groups of three. Often paired with colors like white, black, and celadon white, they create a light, balanced visual effect. These motifs are commonly used on porcelain, clothing, and furniture, symbolizing reunion, prosperity, and completeness, carrying blessings of good fortune.

This tea canister comes from Dehua, China, known as the “World Capital of Ceramics.” It features a soft celadon-white glaze and is fired at high temperatures, giving the surface a smooth and refined texture. The lid and body are decorated with hand-painted tuanhua (Chinese roundel motifs), arranged in a natural and harmonious layout.

The base is polished multiple times for a smooth finish, and the rim is fitted with a metal band to improve the seal. The overall design is elegant, compact, and easy to store, pairing beautifully with any tea setup.

Material: Ceramic
Capacity: 250 mL, holds roughly 150 g of tea
Size: Height 9.7 cm, Width 7.2 cm

What is Tuanhua (团花)?

Tuanhua, also known as “ball-flower patterns,” doesn’t refer to any specific flower. Instead, it’s a decorative style where flowers, fruits, and geometric elements are arranged within a circular outline, forming a compact “ball-like” motif. The earliest versions date back to the Shang dynasty, appearing on bronze and white pottery. By the Yongzheng period of the Qing dynasty, tuanhua became widely used in imperial porcelain—especially in famille-rose ware—and later spread to folk kilns, becoming a beloved decorative style.

Tuanhua designs are known for their lively, free layouts. Circles of different sizes are arranged in seemingly casual yet harmonious compositions—sometimes single, sometimes overlapping in pairs or groups of three. Often paired with colors like white, black, and celadon white, they create a light, balanced visual effect. These motifs are commonly used on porcelain, clothing, and furniture, symbolizing reunion, prosperity, and completeness, carrying blessings of good fortune.

This gaiwan comes from Jingdezhen, the porcelain capital of China, and is fully handcrafted. Its surface is decorated with various traditional Chinese tuanhua motifs (Tuanhua) using the famille-rose (falangcai) enamel technique. The gaiwan itself is shaped like a traditional ingot, and the wide-rimmed design makes it comfortable to hold without burning your fingers. The overall look is refined and graceful, showcasing the beauty of Chinese porcelain craftsmanship.

Material: Ceramic
Capacity: 150 mL
Size: Height 9 cm, Width 9 cm

What is Tuanhua (团花)?

Tuanhua, also known as “ball-flower patterns,” doesn’t refer to any specific flower. Instead, it’s a decorative style where flowers, fruits, and geometric elements are arranged within a circular outline, forming a compact “ball-like” motif. The earliest versions date back to the Shang dynasty, appearing on bronze and white pottery. By the Yongzheng period of the Qing dynasty, tuanhua became widely used in imperial porcelain—especially in famille-rose ware—and later spread to folk kilns, becoming a beloved decorative style.

Tuanhua designs are known for their lively, free layouts. Circles of different sizes are arranged in seemingly casual yet harmonious compositions—sometimes single, sometimes overlapping in pairs or groups of three. Often paired with colors like white, black, and celadon white, they create a light, balanced visual effect. These motifs are commonly used on porcelain, clothing, and furniture, symbolizing reunion, prosperity, and completeness, carrying blessings of good fortune.

A selection of ten traditional Chinese flower-scented teas — from jasmine and osmanthus to rose, pomelo blossom, and bitter orange flower.
Each tea is crafted with the ancient art of natural scenting, where blossoms and tea leaves merge in harmony.
Free from artificial flavors or additives, every blend reflects the patience of artisans and the gift of nature.
May this gentle fragrance bring you moments of calm and joy.

This Zhuni Teapot was handcrafted by Cai Songkai, a renowned Zhuni teapot master from Chaozhou. Made primarily from Zhuni clay, the teapot features an egg-shaped body, hence the name “Dragon Egg Teapot.”
In traditional Chinese culture, the egg symbolizes the origin of life and the primordial state of the universe — representing vitality and endless possibility. The dragon, on the other hand, is a symbol of good fortune and auspicious power. Together, the concept of the “Dragon Egg” conveys a blessing for prosperity, renewal, and good luck.
The artist’s name is engraved inside the lid and on the handle. 
This teapot shape is ideal for high-aroma teas, especially Oolong teas such as Phoenix Dancong, Tieguanyin, and Dong Ding Oolong.

Capacity: 110 mL

What is a Zhuni Teapot?

Zhuni is a type of zisha clay, belonging to the “red clay” family, and is regarded as the finest and most delicate among them — often considered the “noble” or “gem” of zisha clay.
It has a low sand content and a fragile texture, making it prone to deformation or cracking during firing. Because of this, the yield rate is very low, and teapots made from it are known as Zhuni teapots.

Chaozhou Zhuni Master — Cai Songkai

Cai Songkai is a senior arts and crafts artist of Guangdong Province, a Chaozhou arts and crafts master, and a renowned folk ceramic artist.
With years of dedication to Zhuni pottery, he has developed a distinctive style that combines precise structure, smooth lines, and refined craftsmanship. His teapots are widely admired by collectors both in China and abroad, earning him a strong reputation in the field of Zhuni teapot making. His works have won multiple gold awards in major competitions.

This Zhuni Teapot was handcrafted by Cai Songkai, a renowned Zhuni teapot master from Chaozhou.
The design follows the “Shuiping” (Level) teapot concept, first created by Ming dynasty artisans. The idea centers on perfect balance — a rounded, full body with a stable center of gravity, allowing the teapot to remain level whether it floats or sinks when filled with water. This reflects the Eastern philosophy of harmony and balance — “peace through equilibrium, virtue through harmony.”
Structurally, the spout, lid rim, and handle top all align on the same horizontal plane, with the spout, lid, and handle forming a straight line. This precise geometry prevents external water from entering the teapot and ensures stability when placed in a bowl — hence the name “Shuiping Teapot.”
The artist’s surname or signature is engraved on the inside of the lid and the handle.
This teapot shape is particularly suitable for high-aroma teas, especially Oolong teas such as Phoenix Dancong, Tieguanyin, and Dong Ding Oolong.

Capacity: 80 mL

What is a Zhuni Teapot?

Zhuni is a type of zisha clay, belonging to the “red clay” family, and is regarded as the finest and most delicate among them — often considered the “noble” or “gem” of zisha clay.
It has a low sand content and a fragile texture, making it prone to deformation or cracking during firing. Because of this, the yield rate is very low, and teapots made from it are known as Zhuni teapots.

Chaozhou Zhuni Master — Cai Songkai

Cai Songkai is a senior arts and crafts artist of Guangdong Province, a Chaozhou arts and crafts master, and a renowned folk ceramic artist.
With years of dedication to Zhuni pottery, he has developed a distinctive style that combines precise structure, smooth lines, and refined craftsmanship. His teapots are widely admired by collectors both in China and abroad, earning him a strong reputation in the field of Zhuni teapot making. His works have won multiple gold awards in major competitions.

This Zhuni Teapot was handcrafted by Chaozhou master potter Cai Songkai, using Zhuni clay as the primary material. The teapot’s shape resembles an eggplant, inspired by the fruits and vegetables of the countryside — hence its name, Qiegua Hu (“Eggplant Teapot”). The artist’s surname or signature is engraved on the inside of the lid and the handle.
This teapot shape is ideal for brewing high-aroma teas, especially Oolong teas such as Phoenix Dancong, Tieguanyin, and Dong Ding Oolong.
Capacity: 80 mL

What is a Zhuni Teapot?

Zhuni is a type of zisha clay, belonging to the “red clay” family, and is regarded as the finest and most delicate among them — often considered the “noble” or “gem” of zisha clay.
It has a low sand content and a fragile texture, making it prone to deformation or cracking during firing. Because of this, the yield rate is very low, and teapots made from it are known as Zhuni teapots.

Chaozhou Zhuni Master — Cai Songkai

Cai Songkai is a senior arts and crafts artist of Guangdong Province, a Chaozhou arts and crafts master, and a renowned folk ceramic artist.
With years of dedication to Zhuni pottery, he has developed a distinctive style that combines precise structure, smooth lines, and refined craftsmanship. His teapots are widely admired by collectors both in China and abroad, earning him a strong reputation in the field of Zhuni teapot making. His works have won multiple gold awards in major competitions.

The Piao Yi Cup (Tea Infuser Cup) consists of three parts — the lid, inner infuser, and body. It’s easy to take apart and clean, combining brewing and filtering in one. With a single press, you can quickly separate the tea leaves from the water.
The body is made of high-borosilicate glass, resistant to temperatures from -20°C to 150°C. It’s thickened for extra durability — sturdy and not easily broken. The lid and infuser are made from food-grade PC material.
The spout features an eagle-beak design for a steady, precise pour with no dripping. The infuser includes a 304 stainless steel fine mesh filter for clean filtration and easy cleaning.
You can also remove the infuser and place it on the lid, using the glass body as a fairness cup (gong dao bei).

Materials: High-borosilicate glass, 304 stainless steel filter,  PC lid and infuser
Size:  8 (W) × 11.8 cm (H)
Capacity: 350 mL

Create Your Own Holiday Tea Gift Box
Choose 20 Tea Samplers from 42 Unique Flavors
Scroll down to select teas and create your own tea gift style.👇

Suitable For

• Anyone looking for a thoughtful, personalized gift
• Tea beginners or those curious to explore many flavors
• Perfect for colleagues, family members, teachers, or clients
• Ideal for people who prefer healthy, natural, additive-free gifts

The coasters are mainly made of cloth, designed to prevent cups and Yixing teapots from bumping against the table. When you place the cup back, it makes little to no sound, creating a softer and quieter tea-drinking atmosphere.
The fabric is absorbent, allowing you to easily wipe off any water or tea stains from the teapot or cup, keeping the table clean and dry. Most coasters and mats also feature elegant patterns or unique shapes, making them lovely decorative pieces for a tea table or tearoom.
Sizes:
Handcrafted Lotus Coaster (Blue, Linen Color): Irregular shape, max diameter 15 cm
Hand-embroidered Coaster – Fish: 9.5 × 9.5 cm
Solid Color Coasters (Red, Green, Blue, Coffee): 9 × 9 cm

*All sizes are measured by hand, and a margin of error of ±1 cm may occur.

This Pu-erh tea comes from Bulang Mountain, the core production area of Pu-erh tea. The region enjoys abundant rainfall and ample sunlight, creating ideal natural conditions for tea growth. Bulang Mountain is home to several renowned tea-producing villages, such as Lao Banzhang, Lao Man’e, and Xin Banzhang. Teas from these areas are famous for their powerful “cha qi” (tea energy), long-lasting sweetness, and strong wild mountain character, making them true classics among Pu-erh teas.
This raw Pu-erh tea was produced in the year 2000, made from a blend of leaves harvested from old tea trees and pressed into a column shape. It has been carefully stored in a dry warehouse for 25 years, allowing for slow and natural aging. The resulting tea liquor reveals distinct smoky and aged aromas, with a rich, mellow body and a lingering sweet aftertaste.

Origin: Bulang Mountain, Menghai County, Xishuangbanna Dai Autonomous Prefecture, Yunnan Province

Production Date: 2000

Tea Cultivar: Yunnan Large-Leaf Tea 

“Lao Cha Po” specifically refers to old leaves (not tender buds) harvested one week before and after Shuangjiang (one of China’s 24 solar terms, around October 23, marking the start of colder weather). These are mostly coarse leaves from the current year or 2–3-year-old growth. “Cha Po” is the Liubao people’s respectful name for old leaves. In the past, farmers sold tender buds as high-quality tea, while coarse old leaves were kept as everyday tea. The name reflects the farmers’ wisdom of “making full use of what you have.”

Around Shuangjiang, large temperature differences and reduced rainfall make the old leaves thicker and richer in sugars and nutrients, giving the tea a natural cane sugar sweetness. Tea harvested at this time has less astringency and a smoother, naturally sweet taste.

This Lao Cha Po tea was brewed at the tea bar during the 15th Northwest Tea Festival and loved by everyone, receiving high praise.

This tea is made using the traditional Liubao “picking and cleaning old leaves” method: fresh leaves are briefly blanched in hot water, then sun-dried or air-dried. Blanching reduces bitterness, while the drying process, similar to white tea, preserves most of the tea’s natural compounds.

This batch of Lao Cha Po comes from wild, aged tea trees in Shizhai Town, Wuzhou City, with tree ages of 30–50 years, making the raw material rare. Because it uses old trees, even with only 20 years of aging, the tea exhibits flavor comparable to 30+ years aged tea. The tea has a distinct medicinal aroma and carries the forest-like character unique to old trees, offering a rich and unique flavor.

This collection brings together six varieties of jasmine tea,  crafted from five carefully selected tea bases — white, green, oolong, dark, and black tea — and refined through three to seven rounds of traditional fresh-flower scenting. The result is an elegant aromatic journey, unfolding from light and graceful to deep and mellow. Perfect for every season, always accompanied by the gentle fragrance of jasmine.

Wuyuanjian is one of the core Zhengyan producing areas of Wuyi Rock Tea, belonging to the famous “Three Pits and Two Ravines,” and is one of the two ravines. The area is shrouded in mist throughout the year, nourished by flowing streams, with a humid climate and soil rich in fine sandy gravel and minerals. Lush vegetation and this unique terroir together give birth to outstanding Wuyi Rock Teas. Among them, Rougui and Shui Xian from Wuyuanjian are especially prized for their rich fruity notes, elegant orchid fragrance, and full-bodied taste.

The Wuyi Rougui from Wuyuanjian reveals a clear and vivid cinnamon aroma at first, followed by subtle layers of orchid, woody undertones, and even a refreshing hint of mint. The fragrance is pure, distinctive, and lingers gracefully. The liquor is smooth and delicate on the palate, gradually unfolding into depth and the signature “rock rhyme.” Compared to Rougui from Niu Lan Keng, Wuyuanjian’s expression is softer and more refined—ideal for tea lovers who seek a fresh, elegant style.

Origin: Wuyuanjian, Xingcun Town, Wuyishan City, Fujian Province, China
Type: Core Zheng Yan (Core True Rock)

Tea Variety: Wuyi Rougui
Producer: Chen Hui
Harvest: October 2024
Aging: 36 months

Brewing Guide:

• Water Temperature: 100°C (212°F)

• Brewing Vessel: Gaiwan or Yixing Clay Teapot

• Tea-to-Water Ratio: 5–7g per 100ml

• Infusions:
  1–3 infusions: 8–15 sec
  Later infusions: +5–10 sec per infusion

Niu Lan Keng is one of the core Zhengyan producing areas of Wuyi Rock Tea, belonging to the famous “Three Pits and Two Ravines.” The area is nourished year-round by flowing streams from rock crevices, with high humidity, misty air, limited sunlight inside the pit, and mineral-rich soil. These conditions create a cool, shaded environment ideal for tea trees.
The Wuyi Rougui produced here—often referred to as “Niu Rou”—is highly prized for its rarity and extremely limited yield, earning it the title “King of Rock Tea.” Its signature cinnamon note is sharp, bold, and highly penetrating, layered with osmanthus, floral, and fruity aromas. Unique to Niu Lan Keng, it also carries a distinct “ravine character”—a mossy, mineral freshness reminiscent of a primeval forest—which adds depth and authenticity to its terroir expression.
On the palate, it strikes a balance of strength and finesse: the cinnamon’s spicy sharpness is complemented by a smooth, delicate liquor, hiding inner power. The rock rhyme is pronounced, with a quick and lasting sweet aftertaste.

Origin: Niulankeng, Xingcun Town, Wuyishan City, Fujian Province, China
Type: Core Zheng Yan (Core True Rock)

Tea Variety: Wuyi Rougui
Producer: Chen Hui
Harvest: October 2024
Aging: 36 months

Brewing Guide:

• Water Temperature: 100°C (212°F)

• Brewing Vessel: Gaiwan or Yixing Clay Teapot

• Tea-to-Water Ratio: 5–7g per 100ml

• Infusions:
  1–3 infusions: 8–15 sec
  Later infusions: +5–10 sec per infusion

Matouyan is one of the top producing areas of Zhengyan Wuyi Rock Tea, located adjacent to Wuyuanjian. With open terrain, ample sunlight, and purple sandy-gravel soil ideal for growing Rougui and other tea trees, it is renowned for producing exceptional teas. The Rougui from Matouyan, often called “Ma Rou”, is prized as a luxury among Rock Teas for its sharp cinnamon aroma and full-bodied taste.
This Wuyi Rougui from Matouyan features a vivid, intense cinnamon fragrance. The liquor is rich, smooth, and full-bodied, with a subtle spicy note on the tip of the tongue, followed by a sweet aftertaste and pronounced rock rhyme (mineral character). Overall, it is bold, powerful, and commanding in style.

Origin: Matouyan, Xingcun Town, Wuyishan City, Fujian Province, China
Type: Zheng Yan (True Rock)

Tea Variety: Wuyi Rougui
Producer: Chen Hui
Harvest: August 2025
Aging: 36 months

Brewing Guide:

• Water Temperature: 100°C (212°F)

• Brewing Vessel: Gaiwan or Yixing Clay Teapot

• Tea-to-Water Ratio: 5–7g per 100ml

• Infusions:
  1–3 infusions: 8–15 sec
  Later infusions: +5–10 sec per infusion

Wusandi, located in the heart of the Wuyi Mountain Nature Reserve, is a high-mountain tea region renowned for its old-bush Shui Xian. Although these old-bush Shui Xian trees grow outside the Wuyi Rock tea core regions, their age and quality make them a “dark horse” among Wuyi Rock Teas, comparable to zhengyan old-bush Shui Xian, and highly favored by tea enthusiasts.
This Wuyi Shui Xian is made from tea trees over 70 years old and roasted using traditional Wuyi charcoal-roasting methods. It features a pure old-cultivar aroma (mainly woody), with a subtle floral note. The liquor is soft, smooth, and rounded, gradually deepening in flavor as it unfolds in the mouth. The harmony between tea and water feels naturally perfect, and the aroma persists through multiple infusions.
For tea lovers seeking the flavor of Wuyi Rock Tea from trees over 70 years old, this Shui Xian tea offers exceptional value for money.

Origin: Wusandi, Jiangxi Village, Yangzhuang Township, Wuyishan City, Fujian Province, China
Tree Age: Over 70 years
Altitude: 700–800m

Tea Variety: Wuyi Shui Xian
Producer: Wu Sheng
Harvest: October 2024
Aging: 36 months

Brewing Guide:

• Water Temperature: 100°C (212°F)

• Brewing Vessel: Gaiwan or Yixing Clay Teapot

• Tea-to-Water Ratio: 5–7g per 100ml

• Infusions:
  1–3 infusions: 8–15 sec
  Later infusions: +5–10 sec per infusion

Wuyi Shui Xian is one of the most famous varieties of Wuyi Rock Tea. Alongside Rougui, it is famed for the saying: “No tea more mellow than Shui Xian, no tea more fragrant than Rougui.” It combines the classic rock character with rock rhyme and a rich, full-bodied liquor. Originally introduced from Jianyang during the Qing Dynasty, Wuyi Shui Xian places great emphasis on tree age: as the trees grow older, the tea becomes more mellow, with reduced bitterness and increasingly complex layers of flavor.

This Wuyi Shui Xian is made from fresh leaves of tea trees aged 30–50 years and roasted using traditional Wuyi charcoal methods. The liquor is rich and full-bodied, moderately intense with a slight astringency, a clear and lasting sweet aftertaste, and a subtle woody fragrance. The texture is smooth and refined, offering depth and complexity that invites slow, mindful tasting.

Origin: Daan Village, Yangzhuang Township, Wuyishan City, Fujian Province, China
Tree Age: 30–50 years
Type: Ban Yan (Half-Rock)

Tea Variety: Wuyi Shui Xian
Producer: Chen Hui
Harvest: May 2024
Aging: 36 months

Brewing Guide:

• Water Temperature: 100°C (212°F)

• Brewing Vessel: Gaiwan or Yixing Clay Teapot

• Tea-to-Water Ratio: 5–7g per 100ml

• Infusions:

  1–3 infusions: 8–15 sec

  Later infusions: +5–10 sec per infusion